Today we visited the resting place of Alexei's body on his fortieth birthday. The place looks like this today:
And at the feast, the thought sounded that it would be great if the key facets of Alyosha's character - indifference, disinterestedness and kindness, all of us continued to distribute. On the eve of Aleksey's birthday, and given his reverent attitude towards the Belarusian language, one of the languages of the site is now Belarusian. Since I do not speak Belarusian, to the same extent as Alexei, I will be glad for any comments about the Belarusian version of the site.
You can send materials to Alexey's cloud at https://cloud.mail.ru/public/eDas/CFQB3Nb9v
Recall the first lines of the biography. Alexey was born on February 5, 1983. In a week he could be FORTY years old. Let's remember it on February 5th. kind word. Thank you.
First email response received. Thank you Victoria for your kind words: "Lesha always lived with an open and sensitive heart to the world, this amazing ability ... Thanks to her, we all felt his care, attention and caring. The brightest and kindest memory of Lesha, and gratitude for everything he did."
Since this is the first interview sent to our site, it will remain on the main page.
Today we share the thoughts of ALEXEY STRELNIKOV Alexey Strelnikov (Alexey Strelnikov) - theater critic, manager, candidate of art criticism, member of the WriteBox jury in the New Play nomination.
“- How to recognize good dramaturgy?
- For me, the criterion for the quality of a play is a performance. If something happens to the audience at the performance, if the actor in the performance is interested, if the director has spent money to organize the theatrical performance, then the playwright has done a good job.
The most interesting plays are born in rehearsals and collaboration with the director, actors, artist, composer, characters (for example, in documentary plays - approx. WriteBox). The more difficult it is to determine who exactly the author is, the more interesting. There may be a difficulty here, that this experience cannot be transferred to other conditions (to another theater, with other actors). But it's a nice challenge.
- Name a play from all the years of WriteBox that you would call the best. Why?
- I will name "Everything is fine" by Vlada Khmel, because so many conflicts and truths of the present day found their exact and exhaustive embodiment there for me. Very simply written, on a simple topic, but the world is reflected in this drop of water. Although I have to make a reservation that the polyphony of the Belarusian dramaturgy is fundamental for me. The fact that for once we do not have the main playwright of the Belarusian land with the only best play, I consider it a perfect happiness.
Submitted from:
theater critic, head of the competition-festival "WriteBox" Victoria Belyakova Alexey's opinion about the Performance "Everything is OK" by Vlada Khmel you can see in the section - "Projects" --> "Miscellaneous" - https://free-teatr-aleks-strel.net/index.php/proekty/raznoe
