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“We don’t have this privilege now – to remain silent.” Therefore, I believe that the texts should sound. Recently I did a reading of “The Coffee Shop Owner,” then another play and another. I wanted one actor to play, but it didn’t work out, so I gave up and read it myself. I don’t know if this is good, but it’s important to me that the texts work. I understand, we are all dying: you are dying, they are dying, [it’s hard for everyone], but let’s try. Come, I invite you.

– In fact, I have already formed a repertoire - six or seven performances. I can even travel with them.

- So I do all this, and sometimes I get angry. For those who still work in government institutions and do some nonsense that they were allowed to do. But to be honest, then I stop. Because there is no one right way how to do [create theater] and how to survive.

– To be honest, I can’t shake the feeling that we are on the Titanic, and at the same time, excuse me, the image of artists who paint pictures on a sinking ship to hang them on the walls does not leave my head. The ship is sinking, and the orchestra is playing. But again, if you need to draw pictures, draw. If you need to be saved, save yourself. Honestly, I’m not afraid that they’ll put me in prison, because I already have a repertoire for a camera for 20 people.